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The Story Behind Renoir’s Impressionist Masterpiece ‘Luncheon of the Boating Party’


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Pierre-Auguste Renoir ‘Luncheon of the Boating Party' (1880-1881) (Photo: The Phillips Collection via Google Arts & Culture Public Domain)

For years, viewers have been captivated by Luncheon of the Boating Party, an Impressionist masterpiece by Pierre-Auguste Renoir. In addition to its refined brushwork and eye-catching color palette, the piece is celebrated for simultaneously showcasing Renoir's three signature subjects: portraiture, still-life depictions, and en plein air settings.

The Painting

At 51″ x 68″, Luncheon of the Boating Party is one of Renoir's largest paintings. It was painted in 1881 and shown at the Seventh Impressionist Exhibition the following year, where it was overwhelmingly praised by critics.

Washington DC: The Phillips Collection, Pierre-Auguste Renoir - Luncheon of the Boating Party (1881)

The piece depicts a group of figures having lunch on the sunny balcony of the Maison Fournaise, a restaurant, rowboat rental place, and hotel on the banks of the Îsle de Chatou. Located just outside of Paris, the establishment was a popular destination for people interested in escaping the hustle and bustle of the city. Here, they could sit by the Seine and take in Chatou's scenic views by boat, balcony, or—in many cases—both.

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The Maison Fournaise circa 1900.(Photo: Tangopaso via Wikimedia Commons Public Domain)

Former boat carpenter Alphonse Fournaise and his wife, a seasoned cook, opened the inn in 1857. On top of its idyllic location and authentic cuisine, Renoir was particularly interested in the site for its people-watching and artistic potential. “You could find me any time at Fournaise's,” he wrote. “There, I was fortunate enough to find as many splendid creatures as I could possibly desire to paint.”

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Pierre-Auguste Renoir ‘Lunch at the Restaurant Fournaise, The Rowers' Lunch,' (1875) (Photo: The Art Institute of Chicago via Wikimedia Commons Public Domain)

From 1868 through 1884, Renoir regularly visited the Maison Fournaise. Along with fellow French painters (and frequent patrons) like Edgar Degas and Gustave Caillebotte, he inspired Chatou's well-known and widely used nickname: the Îsle des Impressionnistes, or the “Island of Impressionists.”

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The Maison Fournaise today (Photo: Moonik via Wikimedia Commons CC BY-SA 3.0)

Though it closed in 1906, the restaurant reopened in 1990, adding a museum to its repertoire and continuing to attract connoisseurs of fine dining and art history alike.

KELLY RICHMAN-ABDOU

Kelly Richman-Abdou is a Contributing Writer at My Modern Met. An art historian living in Paris, Kelly was born and raised in San Francisco and holds a BA in Art History from the University of San Francisco and an MA in Art and Museum Studies from Georgetown University. When she’s not writing, you can find Kelly wandering around Paris, whether she’s leading a tour (as a guide, she has been interviewed by BBC World News America and France 24) or simply taking a stroll with her husband and two tiny daughters.

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